LE XIXE SI�CLE SCIENTIFIQUE |
Soci�t� litt�raire du Prix ChartierLa soci�t� litt�raire du prix Chartier, qui couronne l�auteur d�une �tude litt�raire consacr�e � un �crivain ou une �uvre du XIXe si�cle, a �t� remis, le 15 octobre 2001, � madame Simone Balay�, pour son �dition critique de Corinne ou l�Italie de Mme de Sta�l (Champion). Le pr�c�dent prix avait �t� attribu� � monsieur Roger Pierrot. Divers Journaux intimes de jeunes filles et de jeunes hommes du XIXe si�cle. � �tudiante en doctorat de Lettres � Paris VII, je suis � la recherche de journaux intimes du XIXe si�cle, �crits par des jeunes filles et/ou des jeunes hommes �g�s entre douze et vingt-cinq ans environ. Philippe Lejeune a ouvert la voie avec Le Moi des demoiselles, je me propose de poursuivre cette � exploration au pays des journaux de jeunes filles � en r�alisant une �tude d'ensemble de cette pratique, en r�unissant et en analysant ces �critures qui, certes, ont surv�cu au temps, mais qui demeurent cependant isol�es et oubli�es, et en �largissant cette recherche aux journaux de jeunes hommes. Je fais donc appel � vos greniers, � vos tiroirs ou � l'une des �tag�res de votre biblioth�que, peut-�tre y conservez-vous le journal d'un membre de votre famille, d'un lointain parent ? Si vous souhaitez m'aider � constituer ce corpus, contactez-moi, ne serait-ce que pour me donner une piste ou un indice. Merci d'avance �. Marilyn Himmeso�te, 10 rue de Champillon, 02400 Gland, 03 23 69 17 39, e-mail [email protected] COLLOQUES PASS�S Colloque � Il pensiero gerarchico in Europa, XVIII-XIX secolo � [La pens�e hi�rarchique en Europe], organis� par la Scuola Normale Superiore et l�Universit� de Pise (27-28-29 septembre 2001) Sections et communications sur le XIXe si�cle : - � La repr�sentation des diversit�s culturelles et les hi�rarchies de civilisation entre XVIIIe et XIXe � : G. Campioni, � Gerarchie di civilt�, morte e creazione di Dio tra Renan e Nietzsche � A. Orsucci, � Gerarchie di civilt� : dibattiti sulle periodizzazioni storiche e sulla �morfologia della cultura� tra Burckhardt e Spengler � - � Ethique, individu et rupture des hi�archies dans la culture philosophique et politique du XIXe � V. Franco, � L�individuo responsabile e la rottura delle gerarchie. La discussione fra deterministi e spiritualisti nella seconda met� dell�Ottocento francese R. Ragghianti, � Gerarchia aperta ed etica dell�effort : Fouill�e, Guyau, Durkheim - � Ordine sociale e modelli plitici nel pensiero del XIXe � C. Cassina, � Gerarchie senza privilegi : riflessi intorno alla dottrina sansimoniana � R. Pozzi, � Elites e processi di modernizzazione : Guizot e Tocqueville dinanzi alla storia inglese � M. Battini, � Il contro Illuminismo e il codice della politica autoritaria � Scuola Normale Superiore, piazza dei Cavalieri, 56126 Pise Colloque annuel Nineteenth-Century French Studies, Madison (18-20 octobre 2001) 18 octobre 1A. GEORGE SAND'S CONSUELO: NEW APPROACHES Chair: Isabelle Hoog Naginski, Tufts University Anne McCall, Tulane University, River Traffic: Rerouting power and Licensing Revolution in Consuelo David Powell, Hofstra University, The Play of Music and Narrative in Consuelo Isabelle Hoog Naginski, Beyond Corrinne: Sand's Invisible Sibyl for the Revolution 1B. NEW ESTHETICS ? Chair: Jim Hamilton, University of Cincinnati Maxime Pr�vost, Universit� de Montr�al, Que reste-t-il de la gauche? Les XIXe si�cles convergents de Pierre Bourdieu et de Philippe Muray Jennifer Forrest, Southwest Texas State University, Felicien Champsaur's Lulu, roman clownesque and the Aesthetics of the Fin-de-Si�cle Circus Claudia Moscovici, Boston University, Contemporary Readings of Nineteenth-Century Utopic Thought: Fourier and Saint-Simon 1C. ROMANTICISM & AFTER Chair: H�l�ne Diaz-Brown, Principia College Promita Chatterji, UC-Berkeley, Translating Visuality: Language, Vision, and the Exotic in Gautier's Le Roman de la momie (to be read in absentia by H�l�ne Diaz-Brown) Camille Collins, Columbia University, Faciality: A Horror Story Sarah Juliette Sasson, Barnard College, Les Miserables du XXe si�cle 1D. 19TH-CENTURY SOURCES, 20TH-CENTURY TECHNOLOGY Tim Unwin, University of Bristol, Workshop/discussion focusing on 19th-century French Studies on the Internet return to top 2A. BACK TO THE FUTURE: THE 21ST CENTURY READS FLAUBERT Chair: Laurence Porter, Michigan State University Eric Le Calvez, Georgia State University, Vingti�me si�cle et g�n�tique flaubertienne: la (re)naissance de l'auteur? Mary Donaldson-Evans, University of Delaware, Cinematic (re)visions of Flaubert's Fictions Larry Porter, Adultery or Anatomy? Critical vs. Creative Views of Flaubert in the 20th Century 2B. STAGE & STAGING Chair: Jodi Samuels, UW-Madison Sarah Davies Cordova, Marquette University, French Romantic Ballet: 19th- and 20th-Century Configurations of Body and Global Politics Susan McCready, University of South Alabama, 1827/1927: The Centennial of Romanticism at the Comedie-Fran�aise Barbara Cooper, University of New Hampshire, Where Have All the Playwrights Gone? 2C. STENDHAL, DREYFUS, & SURREALISM Chair: Laurey Martin-Berg, UW-Madison James Day, University of South Carolina, Five 20th-Century Stendhals Susanna Lee, Georgetown University, 'The Cage Less Gay': The Surrealist Vision of Le Rouge et le noir Murray Sachs, Brandeis University, The Dreyfus Affair in the 20th Century 3A. VANISHING ACTS: WOMEN IN THE 19TH-CENTURY FRENCH ART WORLD Chair: Wendelin Guentner, University of Iowa Wendelin Guentner, Recovering Claude Vignon Dorothy Johnson, University of Iowa, The Rediscovery of Sophie Fremiet Beth Wright, UT-Arlington, The Case of the Disappearing Colin Sisters 3B. PROUSTIAN PRECEDENTS Chair: Christine Cano, Case Western Reserve University Michael Lucey, UC-Berkeley, Balzac and Proust: Vautrin's Fans Sam Bloom, University of Haifa, Jewish Anti-Semitism as Literary Paradigm: Anatole France and Marcel Proust 3C. WRITING & EXCLUSION Julia Abramson, University of Oklahoma, 'Un d�ner rechauff� ne valut jamais rien': Toward a New History of Gastronomic Writing Rachel Sauv�, University of New Brunswick, Discours pr�faciel et exclusion: l'�trange disparition de Daniel Stern et Marie d'Agoult Nancy Grey, University of South Alabama, Rewriting Renan: Edmond Fleg's Vie de Jesus 19 octobre 4A. WHOSE ROMANTICISM WAS IT? Chair: Roxane Petit-Rasselle, Penn State University Dan Edelstein, University of Pennsylvania, Reimagining the Romantic Imagination: Jaccottet, Gaspar and Deguy Anna-Louise Milne, University of London, Faux et usage de faux: Jean Paulhan Reads Stendhal Against Val�ry 4B. FILM, TAKE 1 Chair: Jos� Santos, Texas Tech University Cheryl Morgan, Hamilton College, What's Wrong with This Picture? Rethinking Women and Humor in Impromptu Ione Crummy, University of Montana, Romantics in Ink and Celluloid: George Sand and Her Entourage in Impromptu and Les Enfants du siecle Mary Jane Cowles, Kenyon College, History Twice Removed: La Reine Margot and Cyrano on Film Deborah Harter, Rice University, 19th-Century Physicians, 20th-Century Patients: Silence of the Lambs, or the Tables Turned 4C. REDEFINING LANGUAGE AND SPACES Chair: Heather Brady, UT-Arlington Goran Blix, Columbia University, Paris in Ruins: The Ideology of Progress and the Gaze of the Future Aim�e Boutin, Florida State University, Lost and Found Sound: Aurality in French Studies 4D. STEPHANE MALLARME: �ATTENTE POSTHUME� Chair: Marshall Olds, University of Nebraska-Lincoln St�phane Michaud, Universit� de Paris III, Rilke, disciple de Baudelaire et de Mallarme Heather Williams, University of Wales-Aberystwyth, Richard Reading Mallarme Michel Pierssens, Universit� de Montr�al, Reniements 4E. ROUNDTABLE ON PEDAGOGICAL ISSUES: EXPERIENCES & EXPERIMENTS Complete texts for this session will be available for downloading by September 28, 2001 at the following URL: http://www.langlab.wayne.edu/Romance/NCFS2001. Following brief position statements by the panelists, the panel and follow-up session will be devoted entirely to discussion. Chair: Charles Stivale, Wayne State University Michael Garval, North Carolina State University, Tours de France: An Experiment in Pedagogical Flexibility and its Broader Implications for the French Studies Curriculum Adrianna Paliyenko, Colby College, An Uneasy Alliance: Sparking a Connection Between French Literary and Cultural Studies Evlyn Gould, University of Oregon, Baudelaire en Europe Liz Constable, UC-Davis, Feeling Demented, Tormented, and/or Mentored: Mentoring Through Literature in Graduate Education 5A. MONOMANIE, ETC. ETC. Chair: tba Julia Przybos, Hunter College and Graduate Center, Une monomane prend la plume: Emma ou quelques lettres de femme de Boucher de Perthes Marina Van Zuylen, Bard College, What is Monomania to Us Today? Fr�d�ric Canovas, Arizona State University, L'Ecriture comme laboratoire de la cr�ation, ou La G�n�se du Voyage d'Urien 5B. 20TH-CENTURY LENSES ON 19TH-CENTURY POETS Chair: Sayeeda Mamoon, Edgewood College Meryl Tyers, University of Glasgow, Anachronizing Nerval Rosemary Lloyd, Be/de/re/flowering Baudelaire: 20th-Century Translations of Les Fleurs du mal Tammy Berberi, Indiana University, Tristan Corbi�re and His Critical Illness: Les Amours jaunes in the 20th Century 5C. FILM, TAKE 2 Chair: Jim Allen, Southerin Illinois University-Carbondale Cheryl Krueger, University of Virginia, Being Madame Bovary Kristine Butler, UW-River Falls, Recasting Naturalism: Renoir's La B�te humaine and the Solidarity of the Working Class Hero Courtney Sullivan, UT-Austin, Glamourous Vamps and Tainted Tramps: Rewriting the French Harlot in 1930s Hollywood 5D. BALZAC I Chair: Allan Pasco, University of Kansas Carolyn Fay, University of Virginia, Retrospective Diagnosis: The Case of Louis Lambert Scott Lee, University of Prince Edward Island, La Cousine Bette ou le d�sir en s�rie Nathaniel Wing, Louisiana State University, Urban Body: Erotic Body. Balzac's La Fille aux yeux d'or 5E. THE OTHER SIDE OF... Chair: Clive Thomson, University of Western Ontario Aim�e Kilbane, UC-Santa Barbara, Slumming It: Representation of the Underworld in Nerval's Les Nuits d'octobre Kari Weil, UC-Berkeley, They Eat Horses Don't They? Christopher Rivers, Mount Holyoke College, Les Ins�p�rables: Lesbian Couples in Zola's La Cur�e and Belot's Mademoiselle Giraud, ma femme 6A. 20TH-CENTURY THEORY LOOKS BACK Chair: Kathleen Hart, Vassar College William Olmsted, Valparaiso University, Derrida's Exchange of Baudelaire's Gift Robert Rehder, University of Fribourg (Switzerland), Who`s Afraid of the Self? Thoughts on Foucault, Barthes, Stendhal and Baudelaire Edward Kaplan, Brandeis University, From Bachelard to Barthes: Phenomenological Readings of Michelet, Marceline Desbordes-Valmore, and Rimbaud 6B. BACK & FORTH Chair: Lynn Wilkinson, University of Texas David Bellos, Princeton University, Balzac, Perec, Paris: Watching the City Suzanne Guerlac, UC-Berkeley, Thinking Inside Out 6C. BALZAC II: CINEMA AND POLITICS Chair: Isabelle Roche, Williams College Anne-Marie Baron, Societe des Amis de Balzac, Probl�mes th�oriques pos�s par l'adaptation des romans et nouvelles de Balzac V�ronique Monteilhet, Universit� Clermont-Ferrand, L'image de la femme dans les adaptations cin�matographiques de romans balzaciens sous l'Occupation Aline Murat-Brunel, Universit� de Pau et des Pays de l'Adour, Le Retour de Balzac dans les romans de l'extr�me modernit� 6D. COMMENT PEUT-ON ETRE DIX-NEUVIEMISTE ? Chair: Ross Chambers, University of Michigan Ross Chambers, On Being an Accidental 19i�miste, or Why Even Uninspired Philology is Still OK Janet Beizer, Harvard University Claude Duchet, Universit� de Paris VIII-Vincennes/St. Denis Graham Falconer, University of Toronto 6E. LA REPRESENTATION DE SOI Chair: Tom Goetz, Fredonia College Anne Mairesse, University of San Francisco, Paul Val�ry en regard d'Edgar Degas: Questions de repr�sentation du �sujet� Serge Bourjea, Universit� Paul Val�ry, Val�ry et Proust: la m�moire, le souvenir Sayeeda Mamoon, Edgewood College, Reflecting H�rodiade, Echoing le Faune: Mallarmean Resonance in Val�ry's Fragments du Narcisse 7A. CONFOUNDING CORRESPONDENCES: SOME EXCEPTIONAL 20TH-CENTURY READERS OF BAUDELAIRE Chair: Kevin Newmark, Boston College Scott Carpenter, Carleton College, Baudelaire & the Originality of the Copy G�rard Gasarian, Tufts University, Les Exceptions � l'ordre rh�torique chez Baudelaire James Petterson, Wellesley College, Mis-Correspondences: Baudelaire and Hypermorality Ellen Burt, UC-Irvine, Excessively Baudelaire: Autobiography and the Dandy 7B. MODERNISM & POST-MODERNISM Chair: Richard Goodkin, UW-Madison William Paulson, University of Michigan, La Science en (in)action: Bouvard et P�cuchet Fran�oise Gaillard, Universit� de Paris VII. 7C. MALE BODIES, MEN'S WORK Chair: Margaret Cohen, New York University Margaret Waller, Pomona University, The Empire State? Men and Fashion Writing Under Napoleon Margaret Cohen, Workers of the Sea Maurice Samuels, University of Pennsylvania, Love's Labours Lost: Masculinity and the Historical Novel 7D. THE HAPPY FEW Chair: Lisa Algazi, Hood College Lisa Algazi, Feminists Read Stendhal Michal Ginsburg, Northwestern University, Resisting Stendhal Dorothy Kelly, Boston University, Stendhal and the Question of Language 20 octobre 8A. BAUDELAIRE Chair: Gretchen VanSlyke, University of Vermont Eliane DalMolin, University of Connecticut, Baudelaire's Maternal Poetry Debarati Sanyal, UC-Berkeley, Performing Bodies, Performative Texts: Baudelaire's Rehearsal of Violence Claire Lyu, University of Virginia, Lightness: Orpheus in Baudelaire and Blanchot 8B. TURN OF THE CENTURY REVISIONS Chair: Gerry Prince, University of Pennsylvania Laura Spagnoli, University of Pennsylvania, Looking Like a Surrealist: Jean Lorrain and the City Dominique Fisher, UNC-Chapel Hill, Jarry travesti? Dissidences et r�sistances rachildiennes Roxana Verona, Dartmouth College, The Orient Express as Cosmopolis or the Train as Meeting Point Between Two Centuries and Two Europes 8C. EXOTICISM REFOCUSED Chair: Doris Kadish, University of Georgia Laura Loth, University of Minnesota, (Re)visions of the Imperial Project: 19th Century Intertext in Leila Sebbar and Assia Djebar Karen Erickson, St. John's University, Salome Removes Her Veil: A Post-Colonial Look at Exoticism in the 19th-Century French Canon Seth Whidden, University of Missouri-Columbia, 19th-Century Literature and 20th-Century Rap Music: L'Exotisme Come Home to Stay 8D. COMMODITY CULTURE Chair: Jay Lutz, Oglethorpe University St�phane Gerson, New York University, L'Amour du pays? Local Memories, the Literary Field, and the Market in mid-19th-Century France Carol Rifelj, Middlebury College, 'Peignez-moi': Loose Hair in the 19th-Century Novel Susan Hiner, Vassar College, Distinctive Commodities: Cashmere Fever in the 19th-Century Novel 8E. RETURN OF THE REDRESSED Chair: Andrew Miller, Duke University Julia DiLiberti, The Clothes do Make the Wo/Man: The Transformation from the 19th-Century Androgyne to the 20th-Century Cross-Dresser from Gabriel(le) to Tootsie and Victor/Victoria Katherine Kolb, Southeastern Louisiana University, No Rival to Fear: Barthes Executes Balzac Andrea Goulet, University of Illinois-Urbana/Champaign, Voir/Savoir: Balzacian Visuality and Simon's Ecole du regard 9A. RHYTHMS Chair: Larry Schehr, University of Illinois-Urbana/Champaign Franc Schuerewegen, Histoire d'un homme qui marche � pied (Chateaubriand) Lawrence Schehr, Timing Seduction David Bell, Duke University, Hotmail 9B. HUGO Chair: Matthew Moyle, University of Wisconsin-Madison Kathryn Grossman, Penn State University, Hugolian Endings: Back to the Future in the Novels and Their Adaptations Stamos Metzikadis, Washington University-St. Louis, P�dagogie hugolienne dans La Veuve de Saint Pierre Alain Pessin, Universit� de Grenoble, Victor Hugo et la critique sociologique d'aujourd'hui Marie-Sophie Armstrong, LeHigh University, Ego Hugo, Moi Michel: Michel Tournier face � Victor Hugo dans Le Medianoche amoureux 9C. LAST LAUGH OF THE CENTURY Chair: Holly Haahr, Yeshiva University Pamela Genova, University of Oklahoma, The Parody of Discourse: Views from the Ironic Mirror of the fin-de-si�cle French Literary Review Elizabeth Emery, Montclair State University, Yvette Gilbert and the Spirit of the Chat Noir Holly Haahr, Who's Kidding? Rimbaud and the Album Zutique 9D. SEXUALITIES Chair: E. Nicole Meyer, UW-Madison Gretchen Schultz, Brown University, Dystopian Lesbian Fictions Catherine Bordeau, Lyon College, Why RachildeWas Not a Feminist Rachel Mesch, Barnard College, From Irigaray to Rachilde: Post-Modern Feminism and the Turn-of-the-Century Woman Writer 9E. AROUND PAINTING I Chair: Bill Berg, UW-Madison Jann Matlock, University College London, Making Olympia French, or How Modernity Lost its Memory Alexandra Wettlaufer, UT-Austin, Blindspots in the Gendered Gaze: Women Artists in France, 1800-1850 Ellen Wayland-Smith, Princeton University, Poetries of Motion: Delaunay Reads Mallarme 10A. AROUND PAINTING II Chair: Trina Marmarelli, Stanford University Janice Best, Universite Acadia, Quel horizon l'on voit du haut de la barricade V�ronique Chagnon-Burke, Christie's Education/Graduate Programs in Connoiseurship and the Art Market, Women Art Critics in France During the July Monarchy (1830-1848) Nancy Rose Marshall, UW-Madison, 'Terni et noir comme mon visage': Light and Dark in French Images of Othello 10B. RIMBAUD Chair: Nathalie Buchet Rogers, Wellesley College Nicole Asquith, Johns Hopkins University, Rimbaud d'apres Blanchot Charles Minahen, Ohio State University, Specular Reflections: Rimbaud's Prevision of Lacan's Stade du miroir in Enfance Armine Kotin Mortimer, University of Illinois-Urbana/Champaign, Rimbaud Warrior, Clandestine Poet Aim�e Israel-Pelletier, UT-Austin, Rimbaud in the 20th Century 10C. GENRE Chair: Deborah Harter, Rice University Gilbert Chaitin, Indiana University, The Strange Case of George Sand and the Thesis Novel Jelena Jovicic, University of Western Ontario, L'Epistolaire, cet objet obscur des �tudes dix-neuvi�mistes Mark Wolff, Hartwick College, Gustave Lanson and the Historical Novel: Defining Frenchness Against Cultural Plurality 10D. MONUMENT, PASSAGE, PLACE: 19TH-CENTURY TEXTS, 20TH-CENTURY READERS Chair: Tim Raser, University of Georgia Kevin Newmark, Boston College, Passage Couvert: Benjamin's Reconstruction of Baudelaire's Paris Tim Raser, Reading and the Death of Architecture in Hugo's Notre Dame de Paris Marc Froment-Meurice, Vanderbilt University, Du lieu commun 10E. ZOLA Chair: Warren Johnson, Arkansas State University Sharon Johnson, Virginia Polytechnic Institute and State University (Virginia Tech), Zola and Les Halles: Gender, Order, and Disorder Andrew McQueen, Tennessee State University, Pascal's Scripted 20th Century Jeremy Worth, University of Western Ontario, La Cur�e, 'colonisation,' et 'cloture': Zola et le profil identitaire fran�ais sous le Second Empire 11A. BAUDELAIRE & SYMBOLISM Sara Pappas, Cornell University, The Missing Referent: Baudelaire, Benjamin, and the Genealogy of Translation Richard Shryock, Virginia Polytechnic Institute and State University (Virginia Tech), Was the Symbolist Movement Anarchist? James Helgeson, Cambridge University, Mallarme NYC 1950: Frank O'Hara Reading Symbolist Poetics 11B. COMMERCE, PRODUCTION, & BUREAUCRACY Chair: Steven Winspur, UW-Madison Naomi Schor, Yale University, Bureaucracy and the Copying Machine Sydney L�vy, UC-Santa Barbara, La Machine peau 11C. PROUST ET AL Chair: Lise Rempel Hoy, Creighton University Yaelle Azagury, Columbia University, Proust and Balzac: Rethinking Literary Portraits Michael Finn, Ryerson Polytechnic Institute, Decay and Transcendence: Marcel Proust (Re)Reads the 19th Century Kristin Kirkham, Proust on Balzac: Realism Recast |